( Log Out / Today we began watching the 2002 film The Royal Tenenbaums by director Wes Anderson, paying specific attention to the director's use of mise-en-scene. The Grand Budapest Hotel, The Darjeeling Limited, and The Royal Tenenbaums are chosen from Anderson’s filmography to show that the use of these features has remained constant since his earliest work. ( Log Out / The song represents how helpless and depressed Richie feels in that moment, and the music continues as we see each family member reacting to the news and rushing to the hospital. One of the aspects that makes the scene so emotional and effective is the song choice. Teaming up again with composer Mark Mothersbaugh, who has done the scores for most of Wes’s films, the music is beautiful and somber; a combination of violin and the sound of plucking strings. In this scene, they’re all dressed in their typical outfits; Margot wears her fur coat and brown loafers, Chas and his two sons are in their matching red Adidas tracksuits, and Richie is wearing his signature tennis sweatband around his head, sunglasses, and a casual, camel-colored wool suit. And I agree about the silence when the boy enters the room and screams, it is almost as if we are hearing things from Richie’s point, even if we detached from him visually. (Orpen 2003, 16) French director claude Chabrol compared editing similarly, to doing the washing up: “Script writing is like cooking. He opens his mouth as if to scream, but no sound can be heard. Richie tells her, but since she’s been a secret smoker for 22 years, she replies “those aren’t mine.” Richie knows she’s clearly lying, and says “they just fell out of your pocket.” Margot is an incredibly secretive person, and the cigarettes just represent something that she hides from everyone else. The scene’s significance lies its tragically honest depiction of hitting rock bottom. The Tenenbaums occupy a big house in a kind of dreamy New York. “Needle in the Hay” by Elliott Smith plays, and the melancholy tone of the song is incredibly impactive. Moss, 2011). When Richie shaves his hair and beard and removes his tennis sweatband, it marks a turning point for the character. Richie Tenenbaum’s suicide attempt in Wes Anderson’s The Royal Tenenbaums is an artistically composed scene due to the cinematography, discontinuous editing, melancholic music selection and mise-en-scène. These elements of Anderson’s cinematic language help draw the viewer into the world of despair inhabited by Richie in slightly over two minutes. The mood of the scene is established largely with the help of the soundtrack. Lighting Lighting cont... Flashbacks A crucial aspect of the scene Richie Tenenbaum turning on the light Finally "turning on the light" to who he really is The original dark and blue lighting in the scene reflects the mood that Wes Anderson is trying to create As Richie is about The snipping of the scissors, for example, although consistent with the action onscreen, would have distracted from the song. ( Log Out / But while The Royal Tenenbaums has that minutiae—the Tenenbaum house alone, from wallpaper to themed rooms to game closet, has been thought-through to every crevice—there’s a danger in believing that Anderson is so caught up in the pieces that he doesn’t see the whole puzzl… The Royal Tenenbaums deals with strong themes like family and life and death, and the setting of the graveyard allows the characters to reflect on their pasts and start to scratch the surface of their own family issues. (See film still 2.) The “Needle in the hay” scene, from “The Royal Tenenbaums”, is so named because the song being played in the background of the scene is “Needle in the hay” by Elliott Smith. Page 12 of 19 - About 183 Essays ... Summary: James Fenimoore Cooper begins his patriotic novel, The Spy, a Tale of the Neutral Ground, by first setting the scene for his book. The characters’ costumes in The Royal Tenenbaums rarely change, and each of them have their own distinct style. to illuminate the retrogressive gender and racial ideas that Anderson uses to constitute various performances or models of white masculinity. ... Royal and Richie stand among a group of Puerto Rican men as two large, vicious-looking pit bulls with scars all over them snarl at each other. Margot is adopted, and through a flashback we see she got her finger accidentally chopped off by an axe when she went to visit her biological country-bumpkin family in Indiana when she was 14. He openly … Ari asks, “Did you try to sew it back on?” to which Margot drolly replies, “Wasn’t worth it.” Later on in the scene, Margot and Richie are walking together when a pack of cigarettes falls out of her pocket. The music used during the graveyard scene is quintessential Wes Anderson. ( Log Out / Anderson didn’t attempt to make the cuts subtle or seamless, but instead made each jump highly noticeable. It is the movie that inspired me to write about film and to pursue a career in screenwriting. Two days later, Etheline and Henry are finally married in judge's chambers. In my mind it is one of the most beautiful and expertly made films of recent memory. There are two props used in the scene that allow us to get some insight on Margot. Still 3: This point of view shot of Richie's bleeding wrists emphasizes the meticulous composition Anderson strived for to frame the subject (the hands) amongst his discarded wristbands and hair. Richie continues to wear his sweatband even after he quit the sport of tennis, which seemed to hold bad memories for him, as we see in a flashback during this scene. I wanted to add that your second still may possibly be a point of view shot as well, because obviously Richie is looking at himself in the mirror, but maybe what we are seeing is his reflection in the mirrior? This is especially the case when Royal confronts Ethel about wanting to spend some time with his family, telling her that he is terminally ill and only has 6 weeks to live. I had seen the film a few times before but had always gotten caught up in its awkwardness, which I feel is Wes Andersons signiture style. I agree that the way this scene is put together makes it very emotionally powerful because I haven’t seen the whole film and I still felt for all the characters involved. The Tenenbaums The estranged father of the Tenenbaum family, a lazy and self-absorbed ne'er-do-well and former lawyer. It is a comedy that was directed by Wes Anderson, who also wrote the film story script as well, along with Owen Wilson. Change ), 2 Responses “The Royal Tenenbaums (Wes Anderson, 2001): “Needle in the Hay” Scene (0:14-2:08 on Youtube)” →, ← Place des Fetes (3rd and 6th body paragraphs). He returns back to the family home and attempts suicide in the bathroom. Still 2: This medium close-up shot of Richie is used consistently to show the misery in his facial expression. Well, my shortest and best answer is: The Royal Tenenbaums tries to be many things, but isn't any one thing forcefully enough to carry much weight or significance. The Royal Tenenbaums . Thus, by incorporating “Needle in the Hay” as the exclusive source of sound in the scene, rather than just as a background accompaniment, Anderson emphasizes it’s role in setting the tone. The characters Royal, Margot, Richie, Chas, Ari and Uzi are visiting a graveyard to see Royal’s mother’s grave (Chas and Richie’s grandmother) and also Chas’s wife’s grave. As he cuts, a series of rapid jump cuts create a montage of flashbacks of his pet falcon Mordechai who flew away and never returned, his childhood with Margot and then her as an adult. The scene then cuts quickly between flashing images of Margot and Richie before taking on a God’s-eye point of view and facing downward, observing all the hair on the sink and bathroom floor and the blood coming from his arms (Anderson meticulously placed the pieces of hair himself on-set). Margot is visibly surprised that he knows she smokes, and afterwards her mother Etheline asks “How long have you been a smoker?” to which Margot replies, “22 years.” The cigarettes are symbolic of Margot’s secret life, and now everyone knows about them. Change ), You are commenting using your Facebook account. The camera angle is also radically altered when Dudley finds Richie. Change ), You are commenting using your Facebook account. An analysis of mise- en- scene, editing and sound of “The Royal Tenenbaums” According to Mike Crisp, editing “comes in a category some where between nrain surgery at one extreme and tiling the bathroom at the other”. The viewer becomes fully immersed in the soundtrack due to the lack of foley sounds in the scene. Rushmore and The Royal Tenenbaums are both very fastidious films—the framing is always neat and foursquare, the action shaped into compact, unitlike scenes (Bottle Rocket, a lyrical idyll disguised as a run from the law, is a looser movie that floats across the screen like a ribbon in the wind). Ari and Uzi ask what happened to it, and she explains to them. Royal yells along with the others: His decision to cut off all of his hair was rooted in a desire to disassociate himself from that person, but ultimately, it wasn’t enough. The tempo of the music along with the placement of jump cuts really does give us insight on what Richie is feeling. The director manipulates sound using a sudden asynchronous silence when Dudley walks in to the bathroom and discovers Richie’s bleeding and unconscious body lying on the floor. Salinger never wrote. While looking in the mirror after shaving, there is a quick jump-cut shot of what Richie looked like in the beginning of the sequence, which is incredibly effective in a sense that the viewer gets a full glimpse of how Richie is changing. When I saw the razor and blood on his arms I wasn’t totally sure if he had actually slit his wrists or if thats just what he imagined because many people contemplate suicide but could never actually go through with it. ( Log Out / The tempo of the shots also plays an important role in establishing a rhythm, adding to the artistic value of the scene. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The mirror reflection offers a point of view shot for the viewer. (The Royal Tenenbaums, cast of characters) The Royal Tenenbaums is one of my absolute favorite films. Change ), You are commenting using your Twitter account. They’re a piece of the puzzle. Anderson Meanwhile, the scene displays both his figurative and physical transformations. The asynchronous silence when the kid walks into the bathroom was my favorite part. The first and most crucial scene in The Royal Tenenbaums is Royal telling the children that he and their mother Etheline are separating. Award Snub: At the Academy Awards, the film wasn't nominated for Best Picture, Best Director and the acting categories. However, when they are brought back together by their father, they ultimately get closer to each other and their father as they push through the barriers they’ve set up between themselves. Richie, for example, sports a tennis polo, blazer, headband, wristbands, and sunglasses even after the conclusion of his athletic career, reflecting his very static place and mindset in life. This scene introduces the characters, setting, and conflict quickly and unforgettably. This exemplifies the importance of framing the central figure in the composition of a shot. Throughout the scene, the straightforward close up shot of Richie’s face stays darkly lit, though to the right of Richie remains a sliver of light streaming in through the window. Sandy Reynolds-Wasco on “The Royal Tenenbaums” “Even what never appears in the frame can influence the actor’s performance, so it all counts, it all has to be truthful, or at least truth-y. And Patrick, great referrence to “The Wall,” both scenes are very similar. Change ), You are commenting using your Google account. ( Log Out / After Raleigh tells Margot’s family she’s been carrying on an affair with Eli, he asks her for a cigarette. The bathroom suicide scene marks a sudden change from the super-stylized appearance of the movie, and instead feels raw and realistic. Wes Anderson is an American film director who is known for his fleet-footed, unique, bizarre and humorous film productions. I agree with both you and Patrick that the music makes the scene. This scene reminded me of one of the scenes in Pink Floyd’s film “The Wall” where the protagonist shaves off all his hair and transforms into another person. After years of being a terrible father, Royal is allowed back into the … Characters appearing in The Royal Tenenbaums. The Royal Tenenbaums (Wes Anderson ... - Film Analysis Blog Something that makes this particular scene stand-out is that it’s tinted entirely in tones of blue, whereas the rest of the film is in warm, yellow tones. ( Log Out / Change ), You are commenting using your Twitter account. In The Royal Tenenbaums, directed by Wes Anderson, the Tenenbaum family slowly separates after an active childhood. The Royal Tenenbaums plays like a New Yorker story that J.D. Although composed of numerous overlapping images, Anderson accents Margot by showing her repeatedly and for a longer duration in the final shot of the flashback, implying her significance to him. The Royal Tenenbaums by Wes Anderson & Owen Wilson MAIN CAST ... motorcycles, and war scenes with tanks and paratroopers. The Royal Tenenbaums. The Royal Tenenbaums is a 2001 American comedy-drama film directed by Wes Anderson and co-written with Owen Wilson.It stars Danny Glover, Gene Hackman, Anjelica Huston, Bill Murray, Gwyneth Paltrow, Ben Stiller, Luke Wilson, and Owen Wilson.Ostensibly based on a nonexistent novel, and told with a narrative influenced by the writing of J.D. Finds Richie two days later, Etheline and Henry are finally married in judge 's.... 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